Gruppenbildnis Edenbar (1923)

Technique: Giclée quality print
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More about this artwork

Max Beckmann's "Gruppenbildnis Edenbar" is a captivating lithography that offers a glimpse into the complexities of human interactions and the emotional depth within a social setting. Created in 1923, this piece vividly captures the essence of the Weimar Republic era, reflecting the societal and cultural undercurrents of post-war Germany.The work features three figures, intensely close, filling the frame with a sense of immediacy and intimacy. Each character is distinct, depicted with strong, expressive lines that mark Beckmann’s signature style. On the left, a figure with a direct gaze and a slightly tilted head imparts a sense of boldness and confrontation. The central figure, partially obscured, appears more withdrawn, with features that convey introspection or perhaps reservation. The figure on the right, with attentive eyes and a subtle smile, seems engaged and possibly more approachable.Their expressions and the compact arrangement suggest a narrative of complex relationships and emotions. Beckmann’s use of contrast in the lithograph enhances the dramatic effect, highlighting the stark emotions and the individuality of each figure."Gruppenbildnis Edenbar" is not just a portrait of individuals but a portrayal of a moment and an atmosphere. It invites viewers to ponder the stories and the dynamics that exist within this group, offering a timeless reflection on human nature and social interaction.

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Actors, cabaret singers, heroes and thugs in a harsh postwar urban life by German artist Max Beckmann (1884-1950). His paintings show boldness, lust, and pain through delineated figures. The Nazi rule forced Beckmann to resign as an art professor and declared his artworks as degenerate. He later left for America where he lived in exile, yet remained active as an artist.