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Papillons, Pl. 6 (1925) reproduction of painting by Emile-Allain Séguy. ALL GICLEE PRINTS
Papillons, Pl. 6 (1925) reproduction of painting by Emile-Allain Séguy. ALL GICLEE PRINTS

Papillons, Pl. 6 (1925)

Emile-Allain Séguy
Technique: Giclée quality print
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"Papillons, Pl. 6" is a stunning piece from 1925 by the remarkable artist Emile-Allain Séguy. This artwork is part of Séguy's captivating series that showcases vibrant and meticulously detailed illustrations of butterflies, bringing the beauty and diversity of these insects to life.The painting distinctly presents an assortment of butterflies, each rendered in vibrant, eye-catching colors. The upper part of the composition is dominated by a butterfly with expansive wings speckled with white dots on a rich blue background, rimmed with a delicate pattern of pink and black. Directly below, a striking green moth spreads its textured wings, detailed with naturalistic vein patterns and a subtle play of light and shadow that gives a lifelike appearance to the creature. In the lower section, another butterfly boasts wings that carry an intricate pattern resembling stained glass, with shades of orange, yellow, and green bordered by deep black lines.Emile-Allain Séguy's work not only reflects his profound appreciation for nature's intricate beauty but also his mastery in the art of color and design. This piece, with its precise details and vibrant palette, invites viewers to pause and admire the exquisite wonders of the natural world.

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If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

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Emile-Allain Séguy
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Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects (Eugene would have approved), which he saw as “mechanic wonders” that provided abundant inspiration for interior design (Schiff, 157).

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