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Molen bij maanlicht (c. 1899) reproduction of painting by Jacob Maris. ALL GICLEE PRINTS
Molen bij maanlicht (c. 1899) reproduction of painting by Jacob Maris. ALL GICLEE PRINTS

Molen bij maanlicht (c. 1899)

Jacob Maris
Technique: Giclée quality print
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"Molen bij maanlicht" (Windmill by Moonlight), painted in c. 1899 by Dutch artist Jacob Maris, is a mesmerizing depiction of a solitary windmill dominating a nocturnal landscape. Maris, known for his impressionistic style, masterfully captures the ethereal play of moonlight on structure and soil alike, creating a scene that is simultaneously serene and dynamic.The painting portrays the windmill towering above a rough path, its sails slightly blurred—a hint at a gentle breeze in the air. The silhouette of the mill, set against a cloudy, moonlit sky, suggests the quiet power of these quintessentially Dutch structures, which have stood against the elements for centuries.In the foreground, a solitary figure, perhaps the miller, is seen walking along a rugged path towards the viewer. This human element adds a touch of life and mystery, inviting viewers to ponder the late-night tasks that might call at such an hour.Maris's palette of muted blues, grays, and earth tones enhances the nocturnal feel of the painting, making "Molen bij maanlicht" not only a beautiful visual experience but also a compelling story set in a single moment.

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Artist
Jacob Maris
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Jacob Henricus Maris (August 25, 1837 – August 7, 1899) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. He was considered to be the most important and influential Dutch landscape painter of the last quarter of the nineteenth century. His first teacher was painter J.A.B. Stroebel who taught him the art of painting from 1849 to 1852. Jacob Maris's most known works are the series of portraits of the royal House of Orange, he worked on these with his brother Matthijs Maris. He is also known for landscapes such as Ship on the Scheveningen beach.

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