Songs of Winter, No. 3 (circa 1907-08)

Technique: Giclée quality print
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3"Marsden Hartley’s "Songs of Winter, No. 3," completed around 1907-08, invites viewers into a richly textured landscape that epitomizes the rugged beauty and solitude of winter. Through dynamic brushwork and a bold palette, Hartley captures the essence of the season’s spirit.This painting portrays a vista dominated by a sweeping mountain range. The mountains, depicted in deep shades of purple and blue, contrast sharply against the softer, pastel hues of the sky at what appears to be either dawn or dusk. The crests of these mountains are brushed with streaks of white and light pink, suggesting a covering of snow that enhances their majestic and undulating forms.In the foreground, cheerful swirls of green and blue paint suggest the lively presence of evergreen trees, resilient against the winter’s chill. These trees sway with a sense of movement that breathes life into the scene, adding a dynamic quality to the otherwise serene and static mountain backdrop.Hartley’s technique is expressive; the thick application of paint and the gestural style create a tactile texture that makes the landscape seem alive with energy. Each stroke conveys the artist’s emotional response to the natural world, blending the realms of realism and abstraction."Songs of Winter, No. 3" not only reflects Hartley’s remarkable ability to convey the emotional and physical landscapes but also serves as a captivating example of early American modernism.

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Marsden Hartley (1877–1943) is a Maine native and a leading American Modernist painter, along with his contemporaries, Arthur Dove and Georgia O’Keeffe. He is well-known for employing geometric abstraction as well as bold colors and lines. His paintings depicted imagery of nature, landscapes, figures, and still-life. Sponsored by Alfred Stieglitz, Hartley went to Europe in 1912, spending most of his time in Germany, where he met Gertrude Stein, Wassily Kandinsky, and Franz Marc. After returning to America in 1930, he reconnected with the New England of his childhood and started to portray the landscapes of New England in his paintings.