Molen en de brug bij de Noord-West-Buitensingel in Den Haag (1877)

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We have the pleasure of presenting Jacob Maris's evocative painting, "Molen en de brug bij de Noord-West-Buitensingel in Den Haag" from 1877, on our website. This captivating work of art portrays a rustic and serene scene set in The Hague, providing a glimpse into the tranquility of yesteryears.The focal point of this painting is an imposing windmill, captured in meticulous detail, towering over the scene. Maris's masterful use of watercolors imparts a sense of solidity to the windmill while allowing it to blend harmoniously with the moody sky. The structure stands out against the overcast backdrop, creating a dramatic and commanding presence.In the foreground, a calm and reflective waterway mirrors the windmill and the sparse structures along the embankment. This adds a profound depth to the scene, enabling viewers to immerse themselves in this idyllic setting. To the right, an elegant bridge stretches across the scene, leading the eye through the painting and enhancing the sense of spatial continuity.Jacob Maris's skillful manipulation of light and shadow, combined with his restrained color palette, evokes a profound sense of nostalgia and beauty. This view of The Hague not only depicts its physical appearance but also captures the serene spirit of the place.

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Jacob Henricus Maris (August 25, 1837 – August 7, 1899) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. He was considered to be the most important and influential Dutch landscape painter of the last quarter of the nineteenth century. His first teacher was painter J.A.B. Stroebel who taught him the art of painting from 1849 to 1852. Jacob Maris's most known works are the series of portraits of the royal House of Orange, he worked on these with his brother Matthijs Maris. He is also known for landscapes such as Ship on the Scheveningen beach.