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Portrait Of A Prosperous Merchant Of Terapia reproduction of painting by John Frederick Lewis. ALL GICLEE PRINTS
Portrait Of A Prosperous Merchant Of Terapia reproduction of painting by John Frederick Lewis. ALL GICLEE PRINTS

Portrait Of A Prosperous Merchant Of Terapia

John Frederick Lewis
Technique: Giclée quality print
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"Portrait of a Prosperous Merchant of Therapia" by John Frederick Lewis captures the dignified essence of a wealthy merchant situated in the Bosphorus-straddling village of Therapia, now known as Tarabya, Istanbul. The painting, enthralling in its depth and realism, showcases the merchant seated with an air of serene authority.The central figure is adorned in traditional Ottoman attire, featuring a richly embroidered waistcoat beneath a flowing, dark outer robe lined with fur, signifying his wealth and status. His head is crowned with a fez, typical of the period’s fashion, which complements his commanding expression. The artist's mastery is particularly evident in the lifelike rendering of the merchant's facial features—from the wrinkles on his forehead to the introspective gaze that seems to hold years of experience.The background of the portrait is muted, with a soft, indistinct aura around the subject, which helps in focusing the viewer's attention entirely on the merchant. The use of lighting and shade subtly highlights the textures of his attire and the quiet power of his disposition.This painting not only serves as a vibrant depiction of a person but also as a fascinating window into the cultural and historical context of 19th-century Ottoman society.

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John Frederick Lewis
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John Frederick Lewis was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper class Egyptian interiors with little apparent Western influence.

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