Forest in Boisrémond (1842)

Technique: Giclée quality print
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More about this artwork

Delve into the tranquil landscape of "Forest in Boisrémond," a masterful sketch drawn in 1842 by the esteemed French artist, Théodore Rousseau. Known for his exceptional influence in the Barbizon School, Rousseau's works often highlight the intimate and majestic aspects of nature.This delicate pencil drawing invites viewers into a lush, wooded scene that exudes a sense of quiet and timeless beauty. The composition features a variety of trees, each rendered with meticulous attention to the intricate details of their branches and foliage. A winding path, delicately shaded, draws the eye through the forest, suggesting a journey or a quiet stroll through the dense woodlands.The interplay of light and shadow is skillfully portrayed, with the light filtering through the trees, casting intricate shadows and creating a layered depth effect throughout the scene. In the distance, faint outlines of a structure or further trees hint at the expanse beyond the immediate forest, adding a touch of mystery and wonder to the scene."Forest in Boisrémond" not only showcases Rousseau's expertise in capturing the essence of forest landscapes but also reflects his deep appreciation for the natural world. This piece is a testament to Rousseau's ability to evoke emotion and invite contemplation through the subtle power of pencil on paper.

Delivery

Reproductions are made to order and take 5 to 7 working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Étienne Pierre Théodore Rousseau was a French painter of the Barbizon school.

He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but soon displayed aptitude for painting. Although his father regretted the decision at first, he became reconciled to his son forsaking business, and throughout the artist's career (for he survived his son) was a sympathizer with him in all his conflicts with the Paris Salon authorities.