Trees in a Thicket (1845)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

Welcome to our exhibition! This exquisite piece before you, "Trees in a Thicket" from 1845, is by Théodore Rousseau, a master of the Barbizon school known for its revolutionary approach to landscape painting. In this captivating portrayal, Rousseau invites viewers into a dense, untamed thicket, brilliantly capturing the robust yet intricate forms of trees intermingling with the wild underbrush.Rousseau's expert use of chiaroscuro enhances the textures and depth of the scene, highlighting the gnarled and twisting limbs of the trees that reach dramatically into the sky. The subtle contrasts and the meticulous detailing of bushes and leaves evoke a sense of both tranquility and the untamed nature's spirited essence.This drawing not only showcases Rousseau's dedication to naturalism but also his ability to encapsulate the soul of a forest scene with profound authenticity and emotion.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Étienne Pierre Théodore Rousseau was a French painter of the Barbizon school.

He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but soon displayed aptitude for painting. Although his father regretted the decision at first, he became reconciled to his son forsaking business, and throughout the artist's career (for he survived his son) was a sympathizer with him in all his conflicts with the Paris Salon authorities.