Landscape With A Rider By A Pond (1878)

Technique: Giclée quality print
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More about this artwork

This enigmatic landscape painting by Gustave Doré, titled "Landscape With A Rider By A Pond," completed in 1878, captures a serene yet evocative scene framed by nature's quiet grandeur. The artwork reveals a soft, diffuse light spreading across the sky, painting subtle hues into a cloud-adorned horizon. The landscape is dominated by towering cypresses, their dark, slender forms standing like silent sentinels against the soft sky.In the foreground, a lone rider, almost blending into the shadowy brush, moves along a rugged path beside a tranquil pond. The gentle ripples of water reflect the subdued tones of the sky, enhancing the feeling of calm isolation.Doré, primarily known for his bold illustrations and engravings, demonstrates a tender and atmospheric approach in this painting. His use of soft brushwork and a muted palette evokes a sense of melancholy and reflection, inviting viewers to ponder the solitude of the rider in this timeless landscape.This painting serves not only as an aesthetic experience but also as a narrative anchor, prompting questions about the rider's journey and the stories enfolded within this quiet slice of nature.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Paul Gustave Louis Christophe Doré (6 January 1832 – 23 January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.