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Dessin original pour les ‘Maîtres de l’Affiche’ (1898) reproduction of painting by Théophile Alexandre Steinlen. ALL GICLEE P...
Dessin original pour les ‘Maîtres de l’Affiche’ (1898) reproduction of painting by Théophile Alexandre Steinlen. ALL GICLEE P...

Dessin original pour les ‘Maîtres de l’Affiche’ (1898)

Théophile Alexandre Steinlen
Technique: Giclée quality print
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Dive into the captivating world of Théophile Alexandre Steinlen's "Dessin original pour les ‘Maîtres de l’Affiche’ (1898)", an evocative work that transports viewers into an intriguing moment of observation and reflection. In this poignant composition, two individuals are prominently featured, mesmerized by an array of illustrated posters that glow warmly against the stark contrast of the surrounding dimly lit environment. The artist masterfully utilizes the interplay of light and shadow to draw attention to the detailed expressions of curiosity and contemplation on the faces of the figures.Steinlen, renowned for his ability to capture the human experience, offers a scene where art and spectator intersect, underlining the allure and influence of visual advertisement in the urban setting of late 19th-century Paris. The focused illumination not only highlights the posters but also subtly outlines the subjects, enhancing their enigmatic presence within the piece. This painting not only showcases Steinlen's trademark sensitivity to social dynamics and human interaction but also his skill in using atmosphere and texture to evoke emotion and narrative.

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Artist
Théophile Alexandre Steinlen
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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

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