Nu À La Baignoire (circa 1921-1922)

Technique: Giclée quality print
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More about this artwork

In the enchanting composition "Nu À La Baignoire" painted around 1921-1922, Pierre Bonnard captures a deeply intimate moment that exudes a sense of quiet and personal reflection. This piece portrays a woman reclining next to a bathtub, depicted in a serene and contemplative posture. The artwork is notable for its soft, fluid watercolor technique that lends an ethereal quality to the scene.Bonnard's mastery of color is evident in the warm hues of red and pink that form the background, contrasting beautifully with the cool blues that suggest the presence of water nearby. The figure's form is rendered with a gentle touch, her curves echoing the relaxed and informal nature of the scene. Her face is obscured, turning the viewer's focus instead to the composition and the play of colors and light."Nude at the Bathtub" is a splendid example of Bonnard's skill in using color to evoke emotion and atmosphere, making the ordinary act of bathing a subject of artistic contemplation and beauty.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.