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A Wounded Soldier and His Comrade (1916) reproduction of painting by Théophile Alexandre Steinlen. ALL GICLEE PRINTS
A Wounded Soldier and His Comrade (1916) reproduction of painting by Théophile Alexandre Steinlen. ALL GICLEE PRINTS

A Wounded Soldier and His Comrade (1916)

Théophile Alexandre Steinlen
Technique: Giclée quality print
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The painting "A Wounded Soldier and His Comrade" (1916) by Théophile Alexandre Steinlen poignantly captures the solemn realities of war, portrayed through the intimate depiction of two soldiers. In this profound charcoal drawing, Steinlen illustrates the harrowing effects of conflict by focusing on the individual experiences of these men, rather than the grandeur of battle.On the left, a wounded soldier, his head bandaged and face marked by fatigue and pain, tilts back, leaning on his comrade for support. His expression is resigned yet evocative, reflecting a mixture of suffering and stoicism. Beside him, the profile of his comrade is shown looking determinedly ahead, possibly scouting the environment or lost in contemplation of their grim circumstances. His sharp features and alert eyes contrast with the vulnerable state of his companion.Steinlen's work is renowned for its empathetic approach to social and humanitarian subjects, and "A Wounded Soldier and His Comrade" exemplifies his mastery in conveying emotional depth and human connection. The rough, sketch-like quality of the drawing adds to the urgency and rawness of the scenario, pulling the viewer into a brief narrative glimpse of loyalty and brotherhood amidst the chaos of war.

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Artist
Théophile Alexandre Steinlen
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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

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