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Fleurs, Boules De Neige (1892) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS
Fleurs, Boules De Neige (1892) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS

Fleurs, Boules De Neige (1892)

Pierre Bonnard
Technique: Giclée quality print
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We are pleased to feature the captivating painting "Fleurs, Boules De Neige" by the renowned French artist Pierre Bonnard, created in 1892. This exquisite work exemplifies Bonnard's unique approach to color and composition during his early career, capturing the essence of vibrancy and light through a seemingly simple subject.The painting displays a lush cluster of snowball flowers (Viburnum), perhaps arranged in an earthy-toned vase. The blooms, depicted in soft shades of white and green, dominate the canvas, giving the viewer a sense of their lush, almost tactile texture. The background, executed in muted tones of brown and gray, subtly enhances the vividness of the floral arrangement, allowing the snowballs to almost burst forth from the surface.Bonnard's mastery is evident in the way light plays across the forms, blurring the lines between the objects and the space around them, and creating an interplay of light and shadow that gives the work a dreamy quality. This painting is not just a floral still life; it’s a glimpse into the artist's exploration of the boundaries between perception and artistry, making "Fleurs, Boules De Neige" a mesmerizing piece that continues to enchant and engage audiences.

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Pierre Bonnard
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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married. 

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