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Le Soleil Dans Les Vitres (1936) reproduction of painting by Henri Le Sidaner. ALL GICLEE PRINTS
Le Soleil Dans Les Vitres (1936) reproduction of painting by Henri Le Sidaner. ALL GICLEE PRINTS

Le Soleil Dans Les Vitres (1936)

Henri Le Sidaner
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Henri Le Sidaner's painting, "Le Soleil Dans Les Vitres" (1936), captivates viewers with its serene play of sunlight filtering through a glass door. This remarkable artwork exemplifies Le Sidaner's mastery in portraying quiet, intimate spaces infused with a gentle luminescence.In the painting, the interior scene is bathed in the warm, inviting glow of the sun as it streams through pane-framed windows. The sunlight casts a pattern of vibrant hues across the room, highlighting the intricate textures of the walls and floor. A door stands partially open, suggesting an invitation into this peaceful, secluded world.A modestly placed flower arrangement adds a touch of life and color, contrasting subtly with the subdued tones of the surrounding room. The careful placement of these flowers near the doorway serves as a focal point, drawing the eye deeper into the calm atmosphere of the room.Le Sidaner's use of muted yet rich colors creates a soft, almost dream-like quality, making "Le Soleil Dans Les Vitres" a perfect representation of the artist's intimate and reflective style.

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Artist
Henri Le Sidaner
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Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter, he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.

Le Sidaner's paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their recently vacated tables dappled in sunlight and overhung by roses, have cemented his reputation as a unique artist who does not fit easily into an art movement.

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