Buitenhuis tussen rozen (1913)

Technique: Giclée quality print
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Henri Le Sidaner's enchanting composition, "Buitenhuis tussen rozen" ("Country House among Roses"), painted in 1913, portrays the serene beauty of a secluded house enveloped in a vibrant curtain of roses. This painting stands out for its captivating use of color and light, which brings life to an otherwise tranquil homestead. The scene captures the warm glow of the house's windows, suggesting a peaceful evening setting as light spills out into the surrounding garden.Le Sidaner is known for his subtle interplay of light and shadow, and this piece is a prime example of how he masterfully blends these elements. The roses, painted in rich shades of red and pink, dominate the foreground, creating a lush, textured mosaic that contrasts with the more subdued tones of the house and its environment. The thick, expressive brushstrokes give the painting a vibrant, almost tactile quality, inviting the viewer to feel the blooms' lushness and the home's quiet solitude.This work invites contemplation, beckoning viewers to appreciate the quiet moments of beauty and tranquility that nature and sanctuary provide. As with many of Le Sidaner's paintings, there is an intimate charm here, a sense of being privy to a secluded slice of paradise where time slows and the world's hustle fades away.

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Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter, he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.

Le Sidaner's paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their recently vacated tables dappled in sunlight and overhung by roses, have cemented his reputation as a unique artist who does not fit easily into an art movement.