Oak Trees (1876)

Technique: Giclée quality print
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More about this artwork

Edward Mitchell Bannister’s painting "Oak Trees" is a serene and rich portrayal of a 19th-century American landscape. Completed in 1876, this work exemplifies Bannister’s dedication to capturing the tranquil beauty of nature.In "Oak Trees", Bannister presents a verdant, rolling landscape dominated by robust oak trees under a vast, slightly overcast sky. The foreground features a quietly flowing stream, where a small wooden boat rests gently on the water's edge, suggesting a moment paused in time. To the left, a solitary figure of a man, possibly a farmer or a fisherman, adds a human element to the scene, emphasizing the harmony between mankind and nature.Across the stream, a pasture unfolds where cattle graze peacefully, enclosed by a rustic wooden fence that meanders into the distance. The middle ground showcases the lush, majestically spreading oaks which give the painting its title. These trees stand as silent sentinels over the landscape, their foliage vibrant against the soft, diffuse light of the sky.The background opens up to a distant view of gentle hills under a sky that Bannister has rendered with moody hues of blue and gray. This atmospheric treatment not only conveys the vastness and depth of the landscape but also reflects a typical day in a rural setting, possibly foretelling the change of weather.This work is a brilliant example of Bannister’s artistry, showing his skill in using light and shadow, as well as his ability to evoke emotion through the depiction of ordinary scenes. It invites viewers to partake in a quiet, reflective moment amidst the timeless beauty of nature.

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Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.