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The Bread Carrier (fourth quarter 19th century or first quarter 20th century) reproduction of painting by Théophile Alexandre...
The Bread Carrier (fourth quarter 19th century or first quarter 20th century) reproduction of painting by Théophile Alexandre...

The Bread Carrier (fourth quarter 19th century or first quarter 20th century)

Théophile Alexandre Steinlen
Technique: Giclée quality print
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"The Bread Carrier" by Théophile Alexandre Steinlen is a poignant depiction of everyday life from late 19th to early 20th century. In this painting, Steinlen captures the simplicity and the essential nature of daily tasks through his portrayal of a woman carrying a long loaf of bread. The artwork, primarily executed in a monochromatic palette, utilizes loose, expressive brushstrokes that convey both movement and a certain softness.The subject, a young woman, is rendered with an almost ethereal quality. Her gaze, slightly averted, adds to the introspective mood of the piece. The way she cradles the bread, holding it close to her body, suggests its value not just as a staple food but also as a symbol of nourishment and care. Her attire is modest, hinting at the humble circumstances that characterize the lives of many during Steinlen's time.Steinlen's work often revolved around the theme of labor and the working class, and "The Bread Carrier" is a beautiful representation of these interests. It not only captures a moment in the daily life of a worker but also highlights the significance of ordinary tasks and the dignity in labor.

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Artist
Théophile Alexandre Steinlen
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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.

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