Compagnie Française des Chocolats et des Thés (1895)

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Artistically rendered by Théophile Alexandre Steinlen in 1895, the painting "Compagnie Française des Chocolats et des Thés" captures an intimate and cozy scene that eloquently embodies the joy of simple pleasures. This artwork, functioning as an advertisement, evokes an alluring domestic tableau, linking the enjoyment of chocolates and teas with familial warmth and elegant leisure.In the foreground, a young girl, her cheeks rosy and hair a cascade of soft amber, delicately holds a cup, presumably of tea or chocolate, as she offers it to an intrigued cat. The cat, rendered in realistic detail and rich colors, adds an aspect of domesticity and comfort, emphasizing the appeal of the product to everyday home life. To the left, an adult woman—likely the mother—sips from an ornately decorated cup, her expression one of serene pleasure. Her elegant pose and the striking red of her attire draw the eye, suggesting a moment of indulgent pause in a busy day.Behind this tender scene, the text "Compagnie Française des Chocolats et des Thés" arcs in bold lettering, its typography resonant of the era's Art Nouveau influences, which is further echoed in the organic forms and stylized curves of the background and table elements. The color scheme, with its warm yellows and deep reds, alongside the contrast of black and white, enhances the inviting, almost tactile allure of the chocolates and teas being enjoyed.Steinlen's work is not merely an advertisement but also a celebration of daily moments, elevated through the artful enjoyment of chocolate and tea, suggesting these indulgences as enriching to both the palate and the soul.

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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.