Pêcheur amarré sur la rive verte (circa 1860-1865)

Technique: Giclée quality print
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More about this artwork

Jean-Baptiste-Camille Corot's ethereal landscape painting, titled "Pêcheur amarré sur la rive verte" (Fisherman Moored on the Green Shore), circa 1860-1865, presents a tranquil scene where nature's quiet beauty is captured with a gentle reverence. This landscape work features a standalone fisherman seated in a narrow boat, gently touching the calm surface of a reflective river. Corot masterfully paints the surrounding landscape, lush with varied textures of tall, dense trees that create a sheltering canopy over the water.The painting is a feast of delicate light and shadow, showcasing Corot's deft use of subtle color variations, which suggests the early hours of morning or the approaching dusk. The background is subtly lit by a soft sky, hinting at a light source beyond the vertical tree line. This creates a dream-like perception of the scene, where the precise time of day is elusive, contributing to an overall feeling of timelessness.Corot's technique involves layers of glazing and detailed brushwork that give depth to the foliage and the shimmering reflections on the water's surface, melding realism with a touch of the poetic. The tranquility of the solitary fisherman, absorbed in his activity and surrounded by the expanse of nature, invites viewers to reflect on themes of solitude, the interaction between man and nature, and the meditative power of natural landscapes.

Delivery

Reproductions are made to order and take 5 to 7 working days.

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Returns

Yes, reproductions can be returned.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.