A grove with deer (1905)

Technique: Giclée quality print
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More about this artwork

Ľudovít Čordák’s "A Grove with Deer," painted in 1905, captures a serene and gently animated landscape, characteristic of his adeptness at intertwining nature with a sense of lively tranquility. The artwork invites viewers into a soft, diffuse light-filled setting, where the pastoral calm is only gently disturbed by the presence of deer grazing quietly among flowering patches.The painting itself evokes the subtle transitions of early autumn, with shimmering greens giving way to muted yellow and rusty hues, as seen in the foliage scattered across the forest floor. Dominant in the composition are a pair of robust trees, their leafy crowns billowing above, painted with quick, confident strokes that suggest movement — perhaps a gentle breeze rustling through the leaves. Between and beyond these trees, we glimpse distant hills, rendered in dusky violet tones, fading under a hazy sky.The deer, elegant and almost ethereal, are depicted with minimal detail, blending harmoniously into the landscape as if they were as integral to it as the trees and the earth. Čordák's use of light and shadow not only highlights the natural beauty of the scene but also enhances the sense of depth and space, drawing the viewer's eye deeper into the distance.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Ludwig Deutsch was an Austrian painter who settled in Paris and became a noted Orientalist artist.

Details of Ludwig Deutsch's life are obscure. He was born in Vienna in 1855 into a well-established Jewish family. His father Ignaz Deutsch was a financier at the Austrian court. He studied at the Vienna Academy of Fine Arts 1872–1875, then, in 1878, moved to Paris where he became strongly associated with Orientalism.