The Squire’s Door (ca. 1790)

Technique: Giclée quality print
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More about this artwork

"The Squire’s Door," painted around 1790 by the celebrated English artist George Morland, is a captivating tableau that seamlessly combines elements of the everyday with the finesse of high society. This artwork transports us to a moment frozen outside a grand estate, where a lady in an elegant red dress and a striking black hat adorned with feathers stands at the center. Her posture and attire speak of affluence and taste, a stark contrast to the humble, curious gaze of the young boy beside her, who appears to be of a lower societal status given his simple, earthy clothing.The lady, poised and serene, holds the leash of a small, playful spaniel that energetically tugs towards the boy, perhaps suggesting a bridging of social divides through their shared affection for the animal. The dog serves as a lively focal point that injects a sense of movement and joy into the serene scene. To the left, partially obscured by the lady, a man holds two horses, adding to the rural, yet genteel setting.The background features classical architecture, hinting at the affluence and cultural aspiration of the estate’s inhabitants, set against a sky that promises either the onset of a clearing day or the remnants of a passing storm. This juxtaposition of serenity and dynamic elements within the painting illustrates Morland’s ability to capture not only the social nuances of his time but also the emotional and atmospheric qualities of a moment."The Squire’s Door" is a testament to George Morland’s masterful storytelling through paint, presenting a layered narrative about social class, companionship, and the bucolic lifestyle of 18th-century England. This piece is a perfect reflection of Morland's keen observance and his skill in portraying rural and genteel figures in harmonious coexistence.

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George Morland (26 June 1763 – 29 October 1804) was an English painter. His early work was influenced by Francis Wheatley, but after the 1790s he came into his own style. His best compositions focus on rustic scenes: farms and hunting; smugglers and gypsies; and rich, textured landscapes informed by Dutch Golden Age painting.