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Notes sur l’amour Pl 07 (1922) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS
Notes sur l’amour Pl 07 (1922) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS

Notes sur l’amour Pl 07 (1922)

Pierre Bonnard
Technique: Giclée quality print
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We are delighted to feature an evocative piece from the renowned French artist Pierre Bonnard, titled "Notes sur l’amour Pl 07" (1922). This striking artwork is part of a series that explores the theme of love through a distinctive blend of simplicity and expressiveness, characteristics that mark Bonnard's later works.In this minimalistic ink drawing, Bonnard captures a poetic moment featuring two figures enveloped in an intimate embrace. The lines are fluid and sketchy, suggesting movement and emotion rather than detailing physical forms. This technique enhances the sense of momentary connection between the figures, representing a fleeting snapshot of affection.The backdrop is loosely indicated by erratic lines and scribbles, which might suggest a natural outdoor setting, adding to the spontaneity and raw emotion of the scene. The lightness of the stroke and the ample negative space focus our attention on the central figures, their gentle embrace, and the suggestive forms of their bodies partially merging in the act of a tender kiss."Notes sur l’amour Pl 07" invites viewers to ponder the universal language of love, conveyed through Bonnard's masterful economy of line and form.

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Artist
Pierre Bonnard
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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married. 

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