Fairy Land (1881)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

Welcome to the enchanting world captured in Gustave Doré's 1881 masterpiece, "Fairy Land." This painting transports the viewer to a twilight realm swathed in mist and ethereal light, where fantasy and reality merge in a delicate dance of color and form. At the heart of this scene is an idyllic river, symbolizing the boundary between the known and the mystical, flanked by twilight woods that seem to breathe with magic.Amid the dense, gnarled trees and overgrown foliage, Doré masterfully places a host of fairies, engaging in various whimsical activities that capture the imagination. These mythical beings, adorned in vibrant splashes of blues, reds, and greens, flit about with an air of joy and freedom. Their delicate wings shimmer as they interact with the natural world around them, some reclining gracefully on branches, while others are in mid-flight, contributing to the dynamic feel of the painting.To the right of the composition, a shadowy figure on horseback accompanied by hounds adds a layer of mystery and narrative depth. This spectral rider, juxtaposed against the softly glowing background castle, hints at tales of old — perhaps a guardian of the fairy realm or a weary traveler passing through.Overall, Doré's "Fairy Land" is a visual poem to the mystical powers of nature and the unseen worlds just beyond human perception.

Delivery

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Paul Gustave Louis Christophe Doré (6 January 1832 – 23 January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.