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View of Tasicho Dzong from Above (panoramic view of a large building in a valley) (1783) reproduction of painting by Samuel D...
View of Tasicho Dzong from Above (panoramic view of a large building in a valley) (1783) reproduction of painting by Samuel D...

View of Tasicho Dzong from Above (panoramic view of a large building in a valley) (1783)

Samuel Davis
Technique: Giclée quality print
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This exquisite piece titled "View of Tasicho Dzong from Above" (1783) by Samuel Davis offers a panoramic and delicate glimpse into the serene landscape and architecture of Bhutan in the 18th century. The artwork, rendered in soft pencil or light wash, captures the grandeur of Tasicho Dzong, a significant monastery and fortress, sitting majestically in a sprawling valley.Davis’s skillful use of perspective and minimalistic detail draws the viewer's eye towards the central structure of the Dzong, characterized by its robust, rectangular form and traditional architectural elements. The fortress is depicted with sturdy walls and what appears to be a series of courtyards or inner sanctums, indicative of its function as both a monastic and administrative hub.Surrounding the Dzong are gently sloped hills and distant mountains, fading into the horizon, evoking a sense of tranquility and isolation. Small clusters of houses and agricultural fields nestled around the fortress suggest a thriving community living in harmony with its natural surroundings.Davis's work not only documents an important historic and cultural monument but also captures the quiet beauty and enduring spirit of Bhutanese life during that era.

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Artist
Samuel Davis
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Samuel Davis was an English soldier turned diplomat who later became a director of the East India Company (EIC). He was the father of John Francis Davis, one time Chief Superintendent of British Trade in China and second governor of Hong Kong.

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