La chienne au loup (1900)

Technique: Giclée quality print
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More about this artwork

"La chienne au loup" by Théophile Alexandre Steinlen, painted in 1900, captures a tender and intimate moment between two lovers set against a richly textured nocturnal landscape. The painting embodies a scene of deep emotion and connection, rendered in Steinlen's characteristic expressive style.In this artwork, a couple is depicted in a close embrace under the moonlit sky, suggesting a moment of romance that is both private and profound. The male figure, dressed in a rustic vest and shirt, gently holds the woman, who is clad in a flowing gown. Their faces are close to each other, indicating an imminent kiss, which highlights the romantic and passionate nature of the scene.The background features a serene nighttime setting, with a moonlit sky bathing the landscape in a soft, ethereal glow. A distant village with silhouetted buildings under a glowing moon adds to the romantic and dream-like quality of the painting.Steinlen's use of vibrant color and dynamic lines adds a sense of vitality and movement, suggesting not just the physical closeness of the couple, but the emotional resonance of the moment they share. The detailed depiction of the natural surroundings, with lush foliage and a dark, textured tree trunk, creates a cocoon around the couple, enhancing the feeling of intimacy and seclusion."La chienne au loup" is a striking representation of love and intimacy, capturing a fleeting moment with permanence, emotion, and artistic flair.

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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.

Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.