James (1908)

Technique: Giclée quality print
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More about this artwork

In the vibrant and satirical artwork "James (1908)" by Udo Keppler, we encounter a lively scene full of character and critique. This painting is a colorful commentary on the political atmosphere of the time, shown through the allegorical use of mundane everyday objects—shoes.At the heart of the image is what appears to be a cobbler, robust and earnest, engrossed in his task of polishing a towering pile of oversized shoes. Each shoe is distinctly labeled to represent different vested interests such as "Country," "Constituents," "Special Interests," and "Vested Interests." This suggests that the cobbler, cheekily named James, isn't merely shining footwear but is rather tending to the needs and demands of various political entities and powers.The scene is thick with expression, with James strategically handling each shoe with a unique care and priority, perhaps indicating the weight each interest holds in the political sphere. Behind him, framed by curtains as though on a stage, are two men observing James's efforts. Each bears an expression—one smug and the other sour—which might illustrate the diverse public reception and scrutiny of political endeavors.Udo Keppler, known for his sharp and engaging political cartoons, uses this image to craft a narrative that is both humorous and piercing, inviting viewers to reflect on the nature of political influence and representation.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.