View of Taplow and Maidenhead from Cliveden (1792)

Technique: Giclée quality print
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More about this artwork

Joseph Farington captures the serene beauty of the English countryside in his evocative landscape painting, "View of Taplow and Maidenhead from Cliveden." Crafted in the late 18th century, this piece elegantly portrays the expansive view across the lush, verdant landscape dotted with clusters of trees and the gentle curving flow of the River Thames.The artwork is a delicate interplay of light shades, primarily using what appears to be watercolor to depict the tranquil scenery. The foreground offers a rich display of varied vegetation, with finely detailed shrubbery and trees providing depth against the soft background. The river acts as a natural leading line, guiding the viewers' gaze across the pastoral lands toward distant horizons.In the middle distance, the eye settles on a series of bridges spanning the Thames, connecting the quaint towns of Taplow and Maidenhead. These human-made structures juxtapose the natural elements, suggesting a harmonious coexistence within this idyllic setting. Above, a soft, unobtrusive sky melds seamlessly into the horizon, enhancing the sense of expansive calm.Farington’s piece is more than just a visual representation; it is a historical artifact that offers insights into the English landscapes of the 18th century, preserved in their untouched glory.

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Joseph Farington RA was an 18th-century English landscape painter and diarist.

Born in Leigh, Lancashire, Farington was the second of seven sons of William Farington and Esther Gilbody. His father was the rector of Warrington and vicar of Leigh. Three of his brothers—William, Henry, and Richard—were "employed in the naval service of the East India Company". Edward died of yellow fever when he was 32. Robert attended Brasenose College and became vicar of St George in the East, London (whose advowson was held by Brasenose). George Farington became a painter, like Joseph himself.