The Republican Ponce de Leon and his followers (1894)

Technique: Giclée quality print
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Udo Keppler's 1894 satirical illustration, "The Republican Ponce de Leon and his Followers," captivatingly blends historical and political commentary with whimsical and allegorical artistry. This illustration brings to life the comical yet incisive portrayal of contemporaneous political figures embroiled in the landscape of American high-tariff policies, known as the Protectionist movement.In the heart of a lush, swampy forest, filled with distinctly American flora and fauna—including alligators and frogs—the central figure, representing then-prominent politician William McKinley, is armored akin to the legendary explorer Ponce de Leon. He is shown elevated both literally and symbolically among his peers, gesturing triumphantly with a goblet, symbolizing the supposed elixir of economic prosperity through high tariffs.Surrounding McKinley are various caricatured political figures, engaged in differing states of revelry and lethargy. These men, adorned in garb that mimics Spanish explorers of the 16th century, are depicted enjoying or contending with the fruits of the "High Protection Doctrine" swamp. This creative visualization not only captures their individual characteristics but also underscores their collective intoxication with—or resistance to—the high protective tariffs of the era.Keppler's work, with its vibrant colors and dynamic composition, effectively critiques the political environment of his time by drawing parallels to the futile quest for eternal youth in the story of Ponce de Leon. This illustration not just serves as a historical snapshot but also encourages reflections on the ongoing debates regarding economic policies and their impact on society.

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Udo J. Keppler, since 1894. known as Joseph Keppler, Jr., was an American political cartoonist, publisher, and Native American advocate. The son of cartoonist Joseph Keppler (1838–1894), who founded Puck magazine, the younger Keppler also contributed to cartoons, and after his father's death became co-owner of the magazine under the name Joseph Keppler. He was also a collector of Native American artifacts.