Marthe au chapeau blanc (1903)

Technique: Giclée quality print
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More about this artwork

"Pierre Bonnard, a preeminent figure in the Post-Impressionist era, captures a tender yet introspective moment in his painting 'Marthe au chapeau blanc' from 1903. The artwork features Marthe de Méligny, Bonnard's lifelong muse and later his wife, cloaked in an elegant black dress, her figure framed by the sumptuous textures and rich wood grains of an interior setting. This painting is a fine example of Bonnard's skill in using vibrant colors and intimate compositions to convey deep emotional narratives.Marthe stands slightly off-center, adorned with a white hat that boasts delicate detailing, matching the elegance of her attire. Her gaze, directed towards the viewer, seems contemplative, perhaps lost in a silent reverie. The interplay of light and shadow, a hallmark of Bonnard's technique, complements the complexity of his subject's expression and the overall ambiance of the scene.This piece not only showcases Bonnard's unique ability to blend the everyday with the ethereal but also epitomizes the personal intimacy that defines much of his work.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.