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Canal in Autumn (Gisors) (1913) reproduction of painting by Henri Le Sidaner. ALL GICLEE PRINTS
Canal in Autumn (Gisors) (1913) reproduction of painting by Henri Le Sidaner. ALL GICLEE PRINTS

Canal in Autumn (Gisors) (1913)

Henri Le Sidaner
Technique: Giclée quality print
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Immerse yourself in the tranquil essence of fall as depicted in Henri Le Sidaner's painting, "Canal in Autumn (Gisors)," crafted in 1913. This enchanting work captures a serene scene set along a gently flowing canal, which reflects a myriad of autumn hues, creating a mosaic of gold, orange, and amber tones on its surface. The trees, transitioning into their autumnal glory, line the banks with a soft, impressionistic touch, highlighting Le Sidaner's mastery of light and shade.A quaint structure peeks from the right, adding a hint of human presence to this otherwise purely natural landscape, suggesting a peaceful coexistence with nature. Le Sidaner's use of a pointillist-like technique enhances the texture and vibrancy of the foliage and the shimmering water, inviting viewers to pause and reflect on the quiet beauty of the season.

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Artist
Henri Le Sidaner
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Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter, he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.

Le Sidaner's paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their recently vacated tables dappled in sunlight and overhung by roses, have cemented his reputation as a unique artist who does not fit easily into an art movement.

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