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The Banks of the Oise near Pontoise (1873) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
The Banks of the Oise near Pontoise (1873) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

The Banks of the Oise near Pontoise (1873)

Camille Pissarro
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"The Banks of the Oise near Pontoise" is an evocative masterpiece painted in 1873 by the influential Impressionist artist Camille Pissarro. This painting captures a serene, everyday scene along the banks of the Oise River in Pontoise, a rural locale that often sparked the creativity of 19th-century French painters.Pissarro's masterful brushwork brings to life a dynamic sky filled with swirling, textured clouds that dominate the upper portion of the canvas, suggesting a cool, breezy day. Below, the tranquility of the landscape is interspersed with human activity. A dusty pathway leads the viewer's eye through the composition, flanked by verdant fields and punctuated by figures engaged in leisurely strolls and casual discussions. On the left, a small cluster of trees adds a touch of verdant lushness to the scene, contrasting with the broad, open fields.A notable feature is the inclusion of industrial elements—a distant factory smokestack and a moored barge by the riverbank—hinting at the onset of industrialization even in rural areas. These elements subtly record the changes in French landscape and society during Pissarro's time.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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