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Landscape, Bazincourt (1881) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Landscape, Bazincourt (1881) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Landscape, Bazincourt (1881)

Camille Pissarro
Technique: Giclée quality print
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"Landscape, Bazincourt" is a compelling piece by the Impressionist master Camille Pissarro, capturing a serene scene of rural life in 1881. The painting is alive with the characteristic energy and light of Pissarro's work, showcasing a broad, vibrant panorama of the French countryside.In this painting, Pissarro uses loose brush strokes to depict a sprawling landscape under a dynamic, cloud-filled sky. The foreground is dominated by lush greenery and a rugged dirt path that leads the viewer's eye toward a small village in the distance. Along this path, two figures are subtly integrated into the scenery, contributing to the overall peacefulness and everyday simplicity of the scene.The fields are rendered in a patchwork of colors, indicating various crops and creating a tapestry of agricultural activity that is typical of Pissarro’s work from this period. Fluffy clouds hover above, suggesting the fleeting moment of a breezy, sunlit day. Pissarro's adept use of color and form not only emphasizes the beauty of the natural landscape but also evokes a sense of time and place, inviting the viewer to step into a tranquil moment in Bazincourt.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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