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Les Coteaux de Thierceville, temps gris (1888) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
Les Coteaux de Thierceville, temps gris (1888) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

Les Coteaux de Thierceville, temps gris (1888)

Camille Pissarro
Technique: Giclée quality print
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"Les Coteaux de Thierceville, temps gris" (1888) by Camille Pissarro is a stunning example of the artist's exploration of the French rural landscape through his masterful use of the Impressionist technique. This painting depicts a serene view of the hillsides of Thierceville under a cover of grey skies, suggesting a moment of tranquility and subtle shifts in weather.The composition is thoughtfully divided by layers of lush farmland that stretch into the distance. A dirt path meanders gently through the foreground, leading the viewer's eye through fields adorned with variegated tones of green and striking patches of red, likely poppies or perhaps another type of wildflower, adding a vibrant contrast to the otherwise subdued palette.Young trees with delicate foliage punctuate the landscape, their forms offering a rhythmical counterpoint to the broad, open fields. In the distance, small hints of human habitation remind us of the ever-present relationship between the land and those who dwell within it.Pissarro's distinct brushstrokes capture the dynamic textures of the foliage and the atmospheric mood of the overcast sky, showcasing his ability to convey depth and emotion through color and form.

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Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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