Dämmerung (1900)

Technique: Giclée quality print
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More about this artwork

Explore the serene and mystic beauty of "Dämmerung" (Twilight), a captivating artwork painted in 1900 by the Austrian painter Carl Moll. This painting envelops viewers in the tranquility of a dusky, twilight-laden woodland, where darkness gently encroaches upon the last whispers of daylight.The scene presents tall, slender trees standing amidst the soft shadows, their outlines illuminated by the dying light. In the center of this enveloping forest, a figure cloaked in blue is partly visible, seated on a boat which glides silently over a still, reflective water surface. This presence adds a hint of human interaction with nature, subtle yet profoundly intimate.Moll's mastery in handling tones of green and blue creates a vision that is both alluring and haunting. He utilizes a palette that evokes the coolness of the evening and the mysterious onset of night. Each brushstroke builds a texture that seems to echo the quiet rustle of leaves and the soft lapping of water against the boat."Dämmerung" offers a moment of reflection, where time slows and the viewer is invited to ponder the peaceful solitude of natural settings. It is a testament to Moll's status as a key figure in the Viennese Secession, highlighting his ability to blend realism with a distinct mood of introspection and calm.

Delivery

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We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Carl Julius Rudolf Moll (23 April 1861 – 13 April 1945) was an Austrian art nouveau painter active in Vienna at the start of the 20th century. He was one of the artists of the Vienna Secession who took inspiration from the pointillist techniques of French Impressionists. He was an early supporter of the Nazis and committed suicide as Soviet forces approached Vienna at the end of World War II.