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The Houses of Parliament,Sunset (1903) reproduction of painting by Oscar-Claude Monet. ALL GICLEE PRINTS

The Houses of Parliament,Sunset (1903)

Oscar-Claude Monet
Technique: Giclée quality print
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"The Houses of Parliament, Sunset" is a captivating work by the French Impressionist painter Oscar-Claude Monet, created in 1903 during his stay in London. This painting, part of a series where Monet explored the effects of light and atmosphere, captures the grandeur of the United Kingdom's Parliament buildings at a transformative moment of the day.The composition is drenched in an ethereal light, with the setting sun casting a warm, vibrant glow that blankets the scene. Monet utilizes a masterful blend of blues, pinks, and yellows to depict the shimmering reflections on the River Thames, creating a surface that seems to ripple with life beneath the iconic silhouette of the Parliament. The brushwork is loose and expressive, a hallmark of Monet’s style, allowing the colors to meld together at the edges and creating a sense of movement and fluidity. The gothic architectural details of the Parliament buildings are rendered in a series of vertical and horizontal strokes, somewhat obscured and mystically veiled by the misty air, emphasizing the ephemeral quality of light and the transient moments of dusk.This painting is not just a representation of a physical location but an exploration of color, light, and texture.

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Artist
Oscar-Claude Monet
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Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

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