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L’avant-Port De Dieppe, Après-Midi, Temps Lumineux (1902) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS
L’avant-Port De Dieppe, Après-Midi, Temps Lumineux (1902) reproduction of painting by Camille Pissarro. ALL GICLEE PRINTS

L’avant-Port De Dieppe, Après-Midi, Temps Lumineux (1902)

Camille Pissarro
Technique: Giclée quality print
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Immerse yourself in the bustling energy and vibrant light of Dieppe’s harbor as captured by Camille Pissarro in his impressive 1902 painting, "L’avant-Port De Dieppe, Après-Midi, Temps Lumineux." This masterpiece illustrates a picturesque afternoon at the lively harbor, showcasing Pissarro’s mastery of the French Impressionist style.The canvas comes alive with the shimmering surface of the sea, reflecting the bright, luminescent sky. Dotted throughout the waters are boats of varying sizes, some moored and others navigating the waves, their sails fluttering gently in the wind. The harbor is flanked by the sun-drenched cliffs and the charming architecture of Dieppe, with distinctive buildings and a striking church tower standing out in the background, adding a historical depth to the scene.Prominent in the foreground, figures can be seen engaging in daily activities along the dock, providing a human element that suggests the daily rhythms of life in this coastal town. The use of quick, expressive brushstrokes captures the fleeting nature of light, reflecting the Impressionist fascination with the changing qualities of daylight.

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Artist
Camille Pissarro
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Blessed are they who see beautiful things in humble places where other people see nothing. — Camille Pissarro

Camille Pissarro (1830-1903) was born on St.Thomas (now the US Virgin Islands) to a Portuguese father and a Dominican mother. He went to Paris to study art at Ecole des Beaux-Arts. He was an early pioneer of pointillism and neo-impressionism and later became a mentor of many famous impressionist painters including Cezanne, Manet, Renoir, and Gauguin. His paintings depicted rural and urban French landscapes and lifestyle. Many of his works politically captured images of peasants and laborers. Today, he is considered the father of impressionism. 

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