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Mount Katahdin from Lake Katahdin, Maine (ca. 1853) reproduction of painting by Frederic Edwin Church. ALL GICLEE PRINTS
Mount Katahdin from Lake Katahdin, Maine (ca. 1853) reproduction of painting by Frederic Edwin Church. ALL GICLEE PRINTS

Mount Katahdin from Lake Katahdin, Maine (ca. 1853)

Frederic Edwin Church
Technique: Giclée quality print
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Frederic Edwin Church's captivating painting, titled "Mount Katahdin from Lake Katahdin, Maine" (circa 1853), offers a breathtaking glimpse into the rugged beauty of American landscapes that so inspired the Hudson River School artists. Dominating the scene is the majestic Mount Katahdin, standing tall and formidable against a striking sky. The vastness of the mountain is skilfully rendered, highlighting its sweeping ridges and peaks which draw the eye across the horizon.Beneath this impressive backdrop, the serene waters of Lake Katahdin mirror the fiery hues of the sunset, infusing the scene with a warm, reflective glow. The foreground is lush and richly detailed, featuring verdant trees and bushes that edge the tranquil lake. Church's masterful use of color and light transforms the sky into a dramatic canvas of reds, oranges, and soft purples, suggesting the close of day with a peaceful yet powerful vivacity.This painting is not merely a portrayal of a natural scene; it is a romanticized dialogue between the earth and sky, evoking a sense of awe and the sublime. It invites viewers to contemplate the natural world’s enduring splendor and the delicate interplay of light and color that Church so profoundly captures.

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Frederic Edwin Church
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Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.

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