East Frisian Peasants Eating Supper (1893)

Technique: Giclée quality print
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Max Liebermann's "East Frisian Peasants Eating Supper" captures a poignant moment of domestic life, shedding light on the rustic simplicity and communal values of rural communities in the 19th century. The artwork, completed in 1893, serves as a vital snapshot of the daily lives of East Frisian peasants.The scene is set in a dimly lit interior, possibly a combined space of living and barn, where a family gathering can be seen partaking in their evening meal. The focus of the composition is a wooden table, around which are four figures – two women, a man, and a child – deeply engaged in the simple act of sharing a meal. Their agricultural tools set aside, the figures are sketched with an attentiveness to detail that emphasizes their down-to-earth and hardworking nature.The artwork is rendered primarily in monochromatic tones, creating a somber yet intimate atmosphere. A subtle interplay of light and shadow highlights the expressions and interactions among the subjects, adding depth to the narrative of communal bonds and familial intimacy.The background faintly reveals the silhouette of barn animals and chickens, suggesting the proximity of their living quarters to their livestock, an arrangement typical of the period in rural settings. This incorporation of animals not only enhances the rustic feel but also illustrates the self-sustaining lifestyle of agrarian families.Liebermann’s use of loose yet thoughtful strokes captures a texture that seems to echo the humble surroundings and the unrefined beauty of peasant life.

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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.

The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.

He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.