Madame Fried (1924)

Technique: Giclée quality print
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More about this artwork

"Madame Fried" (1924) is a compelling example of Édouard Vuillard's mastery in capturing the subtleties of interior settings and the quiet moments of daily life. This painting portrays a woman, presumably Madame Fried, engaged in the delicate art of playing the violin. Situated in a warmly lit room, her figure is softly outlined, with muted colors that suggest a tranquil and reflective atmosphere.Vuillard's use of rich, warm hues in the background, including the striking contrast between the amber wall and the vertical stripes of the wooden panels, creates a cozy environment that seems to encase the subject in a private world. The violinist, dressed in a simple navy dress with a crimson belt, focuses intently on her music, her expression serene and absorbed. The presence of a music stand with sheets of music before her highlights the seriousness with which she approaches her craft.The intimacy Vuillard is known for within his paintings is palpable here, as viewers are given a glimpse into a personal, almost sacred act of musical practice. The surrounding details - a door slightly ajar, a table with indiscernible objects - hint at a life beyond the canvas, suggesting depth and narrative beyond what is immediately seen."Madame Fried" is more than just a portrait; it is a window into the quietude and concentration that art, whether visual or musical, demands. Vuillard invites the audience to pause and reflect, much like the subject herself, on the beauty of solitary moments and the personal connection one shares with their passion.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.