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Les Enfants Bassiano (1921) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS
Les Enfants Bassiano (1921) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

Les Enfants Bassiano (1921)

Édouard Vuillard
Technique: Giclée quality print
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"Les Enfants Bassiano" by Édouard Vuillard, created in 1921, is a compelling example of the post-impressionist movement that focuses on intimate and personal subjects. This painting depicts a serene, yet richly detailed scene of two children quietly engaged at a small table in a lush garden. The soft, diffused light suggests a warm, late afternoon ambiance, enhancing the moment's tranquility.The children, dressed in blue, are absorbed in separate activities; one seems to be reading or drawing, while the other gazes directly at the viewer, offering a connection that bridges the boundary between art and audience. The setting is vibrant and texturally complex, filled with various flowering plants and dappled light, which creates a tapestry of colors and shapes. This backdrop adds not only depth but also highlights Vuillard's skill in rendering the interplay of natural light and foliage.A little dog and a doll on the ground introduce an element of everyday life, suggesting the innocent and playful nature often associated with childhood. The painting balances detail and softness, realism and impression, portraying a snapshot of ordinary life that resonates with viewers for its immersive atmosphere and emotional depth.

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Artist
Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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