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La naissance d’Annette (1896 - 1900) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS
La naissance d’Annette (1896 - 1900) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

La naissance d’Annette (1896 - 1900)

Édouard Vuillard
Technique: Giclée quality print
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Édouard Vuillard, a notable figure of the intimate, post-impressionist movement, presents a tender narrative within the subtle frames of "La naissance d’Annette." Created between 1896 and 1900, this artwork draws viewers into a private, domestic sphere, characteristic of Vuillard's oeuvre which often focused on interior scenes with close, personal resonance.In "La naissance d’Annette," the painter employs a limited, warm palette with delicate touches of color that evoke a soft, intimate feel, aligning with the subject matter—the moment surrounding the birth of a child, Annette. The scene is captured with impressionistic style, focusing less on detailed realism and more on the evocation of mood and moment.This image prominently features a woman who could be the mother, seated beside a vivid, florally adorned bed where hints of another figure peek through—a likely reference to the newborn, Annette. The interaction is subtle, the details minimal, yet the impression is profound, suggesting themes of new life and familial bond. The surrounding patterns on the bedding and the nuanced blend of colors further enrich the composition, reflecting the complexity and warmth of familial intimacy.Vuillard's work invites contemplation on the quiet yet profound moments of daily life.

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Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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