A Seamstress (1892)

Technique: Giclée quality print
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More about this artwork

Édouard Vuillard's 1892 painting, 'A Seamstress,' captures a moment of everyday intimacy and quiet diligence within the domestic sphere. The painting skillfully represents a seamstress engrossed in her work, her attention meticulously focused on the fabric she stitches. The artwork’s vantage point draws the viewer into a personal world, enveloping them in the seamstress's serene surroundings.The depiction is warm and richly textured, featuring mottled colors that suggest a blending of reality and the artist's emotional interpretation. Vuillard uses thick, expressive strokes to render the seamstress's blue dress and the heavy drapery of the cloth she handles, creating a vivid contrast with the more delicately painted wall and furnishing in the background. This technique enhances the tactile quality of the painting and emphasizes the artist’s interest in textures—a hallmark of Vuillard’s work.The background, alive with an abstract pattern of leaves, suggests a curtain or a decorated wall, subtly framing the seamstress and highlighting her as the central figure of this composition. This natural motif intertwining with the domestic scene hints at Vuillard's knack for blending interior and exterior worlds.

Delivery

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Returns

Yes, reproductions can be returned.

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We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.