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La Guérite du cantonnier (circa 1910) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS
La Guérite du cantonnier (circa 1910) reproduction of painting by Édouard Vuillard. ALL GICLEE PRINTS

La Guérite du cantonnier (circa 1910)

Édouard Vuillard
Technique: Giclée quality print
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La Guérite du cantonnier, an enchanting pastel work by Édouard Vuillard, captures a serene winter landscape steeped in tranquility and softened by a masterful use of color. Created around 1910, this piece invites viewers into a frosty realm where the quiet, muted hues of nature prevail.The painting features a subdued scene dominated by a roadman's hut, which is tucked away amidst a flurry of gentle, brushy strokes that suggest snow and cold. The central placement and geometric shape of the hut provide stark contrast to the organic forms of wintry trees and drifting snow. The hut's pinkish walls offer a sense of warmth in the chilly atmosphere that Vuillard masterfully depicts.Vuillard, a prominent member of the Nabis group known for his intimate depictions of indoor settings, here shifts his focus to the vastness of an outdoor landscape. However, his characteristic attention to detail and texture, as seen in the intimate portrayal of tree branches and the varied, almost tactile appearance of the snow, remains evident.In La Guérite du cantonnier, Vuillard evokes a serene, almost meditative quality, inviting the viewer to pause and reflect on the quiet beauty of winter's gentle embrace.

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Artist
Édouard Vuillard
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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.

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