Luncheon (Annette and Her Grandmother) (1899)

Technique: Giclée quality print
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More about this artwork

Édouard Vuillard, a prominent figure in the intimate Post-Impressionist movement, captures a tender and private moment in "Luncheon (Annette and Her Grandmother)," painted in 1899. This painting is an exquisite example of Vuillard's masterful use of pattern and texture to evoke the warmth and closeness of domestic life.At the heart of the artwork, we see a young girl, Annette, seated at a table, deeply engaged in the simple act of eating her meal. She is depicted in a blue dress adorned with patterns that echo the intricacies and comfort of the home environment. Opposite Annette is her grandmother, although her face is obscured in the painting, emphasizing the commonplace yet profound nature of the scene. Her posture and placement within the composition suggest a watchful, protective presence.Vuillard's use of rich, muted colors and bold patterns blends the figures with their surroundings, illustrating the seamless integration of individuals with their habitual environments. The textile-like background filled with floral and abstract motifs enhances the sense of being enveloped in a familiar, cozy setting."Luncheon (Annette and Her Grandmother)" invites viewers to contemplate the beauty and depth found in ordinary moments and the emotional layers embedded within family interactions.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.