At the Piano (1884)

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

Dive into the intimate domestic scene of "At the Piano," a captivating pastel work by the French artist Édouard Vuillard. Crafted in 1884, this painting encapsulates the quiet, contemplative moments that are a hallmark of Vuillard's approach to art.In this work, the viewer is drawn into a softly lit interior where a female figure, possibly a young girl, is seated at a piano. Her attention is fully absorbed by the sheet music before her, creating a moment frozen in time. Vuillard's use of vague, impressionistic strokes and a muted palette evokes the tranquil atmosphere of the scene. The background, lightly sketched, features a wall adorned with what appear to be paintings, adding layers of artistic depth and personal touch to the interior.Vuillard's "At the Piano" is more than just a depiction of a person at a musical instrument; it is an exploration of texture, tone, and the interplay of light and shadow. Despite the simplicity of the subject, the work offers a rich narrative about private moments and the beauty of everyday life.

Delivery

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.