Marcelle Aron Dans La Salle À Manger Au Château-Rouge (1905)

Technique: Giclée quality print
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"Marcelle Aron Dans La Salle À Manger Au Château-Rouge" by Édouard Vuillard, painted in 1905, offers a rich, textured glimpse into an intimate domestic scene that is characteristic of Vuillard’s work. This artwork encapsulates a moment of quietude within the dining room of Château-Rouge, where Marcelle Aron is depicted absorbed in her reading. Vuillard's masterful use of color and texture brings life to the scene, creating a dynamic interplay between the figure and her surroundings.The painting features an array of colors and patterns, with dense, almost tactile brushwork that lends a sense of immediacy and closeness. Marcelle is seated at a draped table, surrounded by a lush array of floral arrangements that add vibrancy to the scene. To her right, a large green curtain partitions the space, enhancing the room’s secluded, private feel. The background suggests the comfort and ornate decor of a well-appointed residence, with a glimpse of framed artwork on the wall adding a layer of cultural richness.Vuillard, known for his intimate interior scenes, often blurred the lines between the private and the artistic, making the personal dimensions of life a subject worthy of high art. In this painting, the tranquility of the setting and the focus of the figure on her reading invite the viewer to contemplate the serene moments of everyday life, captured forever in oil on canvas.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.