Landscape with Animals (1913)

Technique: Giclée quality print
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More about this artwork

In the vibrant composition "Landscape with Animals," artist Franz Marc captures a visual symphony of motion and color that breathes life into a pastoral dream. Known for his affiliation with the German Expressionist group Der Blaue Reiter, Marc’s work frequently integrates vivid, bold colors with dynamic abstract forms to represent the emotional and spiritual states.This painting, crafted in 1913, is a masterful exhibition of abstraction that gestures towards the presence of animals in a landscape setting. At first glance, the viewer encounters a whirl of colors and shapes, swirling together in an energetic mix. The central elements thought to represent animals—a dominant white figure accented sharply with blue and a rich red form beneath it—appear merged with the background yet distinctly separate.The animals seem almost mythical in their representation, straddled by splashes of red, green, and blue seen flitting across the canvas, hinting at elements of a landscape like sky, grass, and possibly water. This subtle blend furthers Marc's exploration into the unity between nature's components and its inhabitants. The abstract, almost cubist portrayal challenges the viewer to look beyond the physical and dive into a deeper understanding of nature’s interconnectivity and vibrancy."Landscape with Animals" is more than just a depiction of nature; it is an invitation to perceive the emotional and spiritual communion between the natural world and artistic expression.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).