Approaching Storm

Technique: Giclée quality print
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More about this artwork

Ernest Lawson’s vivid landscape, "Approaching Storm," is a compelling example of the artist's knack for capturing the dynamic moods of nature. In this painting, Lawson portrays a lush pastoral scene under the ominous threat of an impending storm. Set against a backdrop of rolling hills, the storm’s slate-gray clouds gather with dramatic intensity, casting cool shadows and subduing the brightness of the verdant landscape.At the heart of the painting is a serene pond that reflects the turmoil above, juxtaposed with patches of sky blue and mint green. This body of water serves as a mirror to the dualities presented by nature – tranquility and turbulence. Tiny specks of bright hues, perhaps wildflowers, pepper the foreground, adding a cheerful resilience in contrast to the brewing tempest.Dominating the middle ground is a rustic house nestled between the hills, perhaps symbolic of human habitation resilient against nature’s caprices. The surrounding trees, some touched by sunlight and others darkened by shadow, sway to the rhythmic dance of the approaching storm.Lawson’s thick, impasto brush strokes and his expressive use of color intensify the scene's emotional impact, drawing viewers into the immediate moment before the skies unleash their fury. "Approaching Storm" not only captures the physical essence of the landscape but also evokes the profound effects of nature’s transient beauty and formidable power.

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Ernest Lawson (March 22, 1873 – December 18, 1939) was a Canadian-American painter and exhibited his work at the Canadian Art Club and as a member of the American group The Eight, artists who formed a loose association in 1908 to protest the narrowness of taste and restrictive exhibition policies of the conservative, powerful National Academy of Design. Though Lawson was primarily a landscape painter, he also painted a small number of realistic urban scenes. His painting style is heavily influenced by the art of John Henry Twachtman, J. Alden Weir, and Alfred Sisley. Though considered a Canadian-American Impressionist, Lawson falls stylistically between Impressionism and realism.