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Les Tours Vertes, La Rochelle (1913) reproduction of painting by Paul Signac. ALL GICLEE PRINTS
Les Tours Vertes, La Rochelle (1913) reproduction of painting by Paul Signac. ALL GICLEE PRINTS

Les Tours Vertes, La Rochelle (1913)

Paul Signac
Technique: Giclée quality print
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"Les Tours Vertes, La Rochelle" by Paul Signac, painted in 1913, is a dazzling display of the artist's mastery of neo-impressionist style and color theory. This vivid painting captures the charm and vibrancy of La Rochelle, a historic port on the Atlantic coast of France. Signac's use of the pointillist technique is evident in the meticulous application of small, distinct dots of color, which harmonize to create a luminous and dynamic composition.The focal point of the painting is the iconic green towers ("Les Tours Vertes") that guard the entrance to the old harbor, standing as historic sentinels against the soft pastel sky. The bustling harbor is alive with activity; sailboats with colorful sails gracefully glide over the shimmering waters, reflecting a spectrum of blues and greens that suggest the cool ocean breeze. The energy of the sea and the tranquil stability of the urban landscape on the waterside are juxtaposed, bringing out both the timeless grandeur and the everyday liveliness of La Rochelle.Paul Signac’s ability to blend architectural elements with the natural environment encapsulates not only the physical beauty of La Rochelle but also evokes the serene, almost idyllic atmosphere of a coastal town enriched with history and culture.

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Paul Signac
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.

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