Study of Apollo for ‘Apollo and Daphne’ (c. 1918)
Technique: Giclée quality print
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The work titled "Study of Apollo for 'Apollo and Daphne'" by John Singer Sargent, circa 1918, is a striking and detailed pencil drawing that captures the dynamic form of Apollo, the god of the sun, music, and prophecy in Greek mythology. This exquisite drawing serves as a preparatory study for Sargent's larger work depicting the mythological story of Apollo and Daphne.In this study, Apollo is depicted in mid-motion, his body twisting as his arms reach upwards, creating a sense of movement and urgency. His muscular form is expertly rendered, highlighting Sargent's skill in understanding human anatomy and his ability to convey it with nuanced shading and precise line work. The figure of Apollo is almost life-sized, which further attracts the viewer into the narrative drama of the myth.The composition is drawn on paper with grid lines that hint at the methodical approach Sargent used to ensure accuracy in form and proportion. The attention to detail in the physical expression and the anatomy of Apollo speaks to the careful planning that typically went into Sargent's paintings.This sketch not only showcases the artist's mastery in draftsmanship but also serves as a fascinating insight into his artistic process, capturing the raw energy and emotion of a moment suspended in time, just before it is translated into paint.
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Born in Florence to American expatriate parents, John Singer Sargent (1856–1925) is considered Europe's leading portrait painter of the Edwardian era. He was educated at both Accademia delle Belle Arti and Paris's École des Beaux Arts. While in Paris, under the guidance of Émile–Auguste Carolus–Duran, a portraitist and muralist, Sargent learned to paint directly from observation without first sketching, employing a fluidity, influenced by the Impressionists. Sargent created more than 2,900 paintings, mainly portraits and landscapes from his travels across the Atlantic, Europe, the Middle East and America.